In this episode, I sat down with Steve Hullfish and my fellow editors from The Greatest Night in Pop to explore the art and craft behind the film—our workflow, creative process, and the editing choices that shaped the story.
I was honored when Paddy Bird chose to interview me for season one of his podcast centered around the creative art of editing, Once Upon A Timeline. Our wide ranging discussion delves into creative philosophy, life experience, and so much more that it spans two episodes:
My discussion with Spoiler Alert Radio, which was also syndicated on radio stations across the country, is a comprehensive overview of my career and provides detailed insight and background information on many of my favorite projects.
I was fortunate enough to give a fellow editor, Joaquin Elizondo, some advice once and years later it circled back to inspire this interview with me for his podcast, Hollywood Editing Mentor.
Episode 23: The Psychology of Editing, Coping With Job Rejection, and the World of Documentaries
In the lead up to Clarence Avant’s induction into the Rock And Roll Hall of Fame, I was invited onto the podcast, Who Cares About The Rock Hall.
Press release covering the 2018 ACE Eddie Awards
“…best edited documentary feature was awarded to Jane and its editors, Joe Beshenkovsky, ACE, Will Znidaric and Brett Morgen. It was an especially big night for Znidaric, who received a second Eddie for Five Came Back: The Price of Victory in the category of best edited non-theatrical documentary.”